Beetlejuice, Beetlejuice: Do We Really Need to Summon Him Back?

Ladies and gentlemen, gather ’round and prepare to chant “Beetlejuice, Beetlejuice” once more. Yes, you read that right. Our favorite (or not-so-favorite) bio-exorcist is back from the grave—or wherever he’s been hiding for the past 35 years. Because apparently, the afterlife wasn’t enough of a vacation for him, and Hollywood thinks we’re all clamoring for more of those striped suits, wacky antics, and, of course, that oh-so-subtle charm. Spoiler alert: we aren’t.

So, let’s dive headfirst into this cauldron of nostalgia mixed with some questionable decisions and ask the burning question: Who in their right mind thought it was a good idea to bring back Beetlejuice?

The Plot Twist We Never Asked For

First, let’s talk plot. What could possibly warrant this ghastly revival? Are they exorcising a new generation of millennials from their overpriced studio apartments? Is it a crossover where Beetlejuice meets The Property Brothers to flip haunted houses? Or perhaps he’s finally facing off with his arch-nemesis: student loan debt.

No, my dear readers, it seems the writers have decided to reach into the old bag of tricks and pull out…wait for it…a wedding. Because nothing screams originality like another “undead guy crashes the wedding” plotline. Look, I get it. Beetlejuice isn’t known for its deep, philosophical storylines. But was “The Ghost With The Most” really pining for another matrimonial mix-up? Did he have some unfinished business at the altar that we all somehow missed back in 1988? Color me shocked.

Same Stripes, Different Day

Now, let’s talk casting. Brace yourselves, because Michael Keaton is back in the suit. Yes, folks, the man who’s played Batman, Birdman, and now once again, Deadman, is resurrecting his career’s weirdest role. And you know what? Kudos to Keaton for squeezing back into those vertical stripes like he’s been practicing in his mirror every day since the original film wrapped.

But here’s where it gets even juicier (pun absolutely intended). They’ve brought back Winona Ryder as Lydia, because why not? I mean, what else is she doing—still stealing things from department stores? Sorry, Winona, I had to go there. But let’s face it, Ryder’s goth-queen, “too cool for the living” vibe is timeless. Or is it? Does anyone actually want to see Lydia as a grown woman still chatting with dead people? Because if that’s the case, the plot twist isn’t the wedding; it’s the therapy sessions she probably skipped for three decades.

And of course, we’re getting Jenna Ortega, the reigning princess of dark teen roles, because apparently, she’s contractually obligated to be in every horror-adjacent film produced this century. I’m sure she’ll nail it, but at this point, isn’t it just typecasting?

The Special Effects Conundrum

Remember those campy stop-motion effects from the original that made Beetlejuice’s head spins and sandworms look like they were fresh out of a high school art project? Ah, the good old days of practical effects. Well, hold onto your ghostly garb because word on the street is that this new installment will feature all the CGI you can handle.

Nothing screams “we’ve lost the magic” like trading in quirky, handmade effects for a green screen and a bucket of pixels. Because, obviously, what audiences really crave is Beetlejuice looking like he just stepped out of a Marvel movie. It’s almost as if the studio thought, “Hey, if it ain’t broke, overproduce it until it is!”

Nostalgia or Necromancy?

Let’s be honest. Hollywood loves a sequel—especially one that can drag an 80s cult classic back into the limelight, hoping to squeeze out every last cent from our childhood memories. But nostalgia is a tricky ghost to summon. Sure, we all get a little warm and fuzzy thinking about our first time watching Beetlejuice belt out “Day-O,” but does that mean we need to see him do it again 35 years later? Do we need to rehash the charm that made the original a classic, or should we let Beetlejuice rest in peace?

Instead, we get yet another attempt to cash in on the past, resurrecting characters who probably should’ve stayed buried in the VHS tapes of our youth. But, hey, it’s not like Hollywood has anything new to offer, right? I mean, who needs original ideas when you can reanimate a corpse of a movie?

So, Should You Say His Name Three Times?

In the end, “Beetlejuice, Beetlejuice” might be just another romp down memory lane that no one asked for. Or, who knows? Maybe it’ll surprise us and actually be worth the resurrection. But if you’re like me, you’re probably thinking, “Enough already.” Hollywood, stop digging up graves for old IPs and give us something fresh!

But until then, we’ll just have to brace ourselves and hope this sequel doesn’t conjure up more cringe than comedy. Because, after all, if there’s one thing worse than saying “Beetlejuice” three times, it’s saying, “Why did they make this?” again and again.


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